It is a commonplace to see today’s society involved in or even regulated by different media: social media, television or mobile communication. The radical claim of this research project is that mediation and media transpositions are and have always been essential in making sense both in art and in the everyday. Human interaction operates through signs and media: bodily gestures, verbal utterances and artistic expressions. This research studies the autobiographical processes of making sense and communicating experience by applying the notions of voice, image and narrative. The research materials will consist of case studies ranging from sophisticated intermedial autobiographies to the emergent narrative practices in narrative journalism and social media and to conversational storytelling in online interview archives. Bringing together the domains of art and the everyday, the project investigates how fictional and non-fictional intermedial narratives shape and determine experience and its shareability.
Focusing on visual and verbal storytelling in and across different media I will study, what are the culturally available stories and modes of narration for sharing our experience. How do different narrative techniques enable representing and communicating the experience of one’s own and that of another? How is the narrative self constituted and negotiated in different mediatized environments? How do the prevailing modes for life narration change our understanding of narrative, experience, and the relationship between word and image?
Mediating Experience: Voices, Images and Narrative Self
Area of research:
Literature and Art history
01 Feb 2016 – 31 Jan 2017
AIAS-COFUND Marie Skłodowska-Curie fellow
This fellowship has received funding from the European Union’s Seventh Framework Programme for research, technological development and demonstration under the Marie Skłodowska-Curie grant agreement No 609033 and The Aarhus University Research Foundation.